Teddy Wilson - Gentleman Of Keyboard 1934-1957 (1990)

Teddy Wilson - Gentleman Of Keyboard 1934-1957 (1990)
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Genre ~ Swing, Big Band, Mainstream Jazz | Label ~ Giants Of Jazz Records

Gentleman of Keyboard, a Giants of Jazz compilation released in 1998, is a jumbled assemblage of great jazz recordings made between May 1934 and July 1957 by pianist and bandleader Teddy Wilson (1912-1986). The list of collective personnel on this one disc is staggering, as Wilson consistently worked with innovators and individualists who decisively shaped the evolution of jazz over the years. Among literally dozens of noteworthy participants are vocalists Billie Holiday and Ella Fitzgerald as well as tenor saxophonists Ben Webster and Lester Young. Wilson is also heard in his famous role as a member of the Benny Goodman Quartet and Sextet. Though it would take quite a number of Wilson collections to accurately demonstrate the magnitude of his contribution to the history of jazz, Gentleman of Keyboard is a good place to begin. ~ AllMusic

Tracklist

01. Somebody Loves Me (2:54)
02. I'm Painting The Town Red (2:57)
03. All My Life (3:11)
04. Why Do I Lie To Myself About You? (3:03)
05. The Way You Look Tonight (3:05)
06. Sailin' (2:51)
07. I'Ve Found A New Baby (2:40)
08. Just A Mood (6:48)
09. If Dreams Come True (3:08)
10. I Got Rhythm (5:09)
11. Jumpin' For Joy (3:06)
12. Wham (Re-Bop-Boom-Bam) (2:54)
13. Liza (2:25)
14. 71 (3:02)
15. China Boy (2:39)
16. Indiana (3:02)
17. I Want To Be Happy (3:16)
18. Rose Room (2:20)
19. Just Like A Butterfly (2:50)
20. Fine And Dandy (1:41)
21. Under A Blanket Of Blue (2:57)
22. Sweet Lorraine (3:20)
23. Airmail Special (3:47)

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Teddy Wilson - The Greatest Jazz Piano (1983) [Polydor (Japan)]

Teddy Wilson - The Greatest Jazz Piano (1983) [Polydor (Japan)]
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Genre ~ Mainstream, Solo Piano | Label ~ Polydor (Japan Edt.)

His airy, effortless style, with its emphasis on lightly accompanied right-hand melody, was a key element in the transition from swing to bebop, and many modern jazz pianists took Wilson's approach as their starting point. His early recordings were percussive and forceful, but as he matured his technique became graceful, almost elegant. He was a gifted artist who used the full range of his instrument to his advantage. His recordings with Billie Holiday and Benny Goodman’s trio and quartet during the 1930s are considered classics. Wilson was born in Austin, TX in 1912, his parents were both schoolteachers. They left Texas in 1918 for positions at the prestigious Tuskegee College in Talladega, AL, one of the pioneer black universities. Wilson studied music at both the Tuskegee Institute and Alabama's Talladega College.

Moving on to Detroit and Toledo, Ohio, he started by joining up with Speed Webb and Milton Senior before heading to Chicago, where he played with the likes of Erskine Tate, Eddie Mallory, Clarence Moore, Jimmy Noone and Louis Armstrong. He traveled to New York in 1933 to join Benny Carter's orchestra, the Chocolate Dandies. After Carter disbanded the following year to take a position as arranger with Goodman's band Wilson worked with an all-star group led by Red Norvo in 1934 and with Willie Bryant's band during 1934 and 1935. He met Goodman in 1935 and in 1936 was asked to join the bandleader's trio, which also included drummer Gene Krupa. Lionel Hampton joined soon after, making it a quartet. Wilson became the first African-American publicly featured in Goodman's line-up. During his time with Goodman, Wilson put together several small groups for recording sessions, and began a long career as a freelance recording artist that culminated in his marvelous series of discs with Billie Holiday. Other sessions featured such artists as Lester Young, Roy Eldridge, Lena Horne, Ella Fitzgerald, Helen Ward, and Harry James. Wilson left Goodman in 1939 to form his own big band, which included such top musicians as Doc Cheatham, Ben Webster, Rudy Powell, and Hal Baker. Thelma Carpenter was vocalist. Wilson's subtle style failed to win over audiences, however, who often complained that his orchestra sounded ''too white.'' He disbanded the group after only a year and formed a sextet that played regularly at the Cafe Society in New York from 1940 to 1946.

After 1946 Wilson worked mostly as a soloist or in a trio. In 1946 he became a staff musician for CBS radio and operated his own music school, and produced a series of recordings, the “Teddy Wilson School for Pianists,” (reissued on Mosaic) to demonstrate various elements of jazz piano. He taught at Julliard through the early 1950s, becoming one of the first jazz musicians to do so, and stayed on the staff for seven years. His recording partnerships of the 1950s included significant albums with Lester Young and Benny Carter (both for Verve) in which Wilson's economical style was a perfect setting for each saxophonist. He made a series of recordings for Columbia in the mid-50s, and by the ‘60s had expanded his scope to world wide appearances.. He was part of the mother of all jazz tours, Benny Goodman’s 1962 State Department tour of Russia. He performed with international musicians, developing a close relationship with the Dutch Swing College Band, with whom he made four tours. Wilsons discography for the 1970s includes recording sessions in Copenhagen, Tokyo, Munich, Nice, and London. He was truly an international jazz star. He continued to work right up to the end, making appearances with Goodman, Hampton, Krupa, Benny Carter, Red Norvo and other all-star survivors of the Swing Era, and he also worked extensively with a trio including his sons-Theodore on bass and Steven on drums. Teddy Wilson passed away in 1986; he maintained a phenomenally consistent standard until the end of his life, because of his influence and longevity; he is regarded by many critics as a significant pianist of the swing era. His extensive catalog of recordings as a sideman and leader, and his distinguished reputation amongst jazz aficionados and musicians alike, are his enduring testament. ~James Nadal

Tracklist:
01. Sophisticated Lady / Satin Doll (6:06)
02. Stompin' at the Savoy (3:14)
03. Lullaby of Birdland (3:01)
04. Moonglow (3:53)
05. Mean to Me (2:50)
06. I Can't Get Started (4:09)
07. I'm Thru with Love (3:52)
08. Cheek to Cheek (3:54)
09. My Silent Love (2:48)
10. Body and Soul (3:36)
11. Shiny Stockings (3:12)
12. Lush Life / Take the "A" Train (4:50)
13. Tea for Two (4:32)
14. Someone to Watch Over Me (3:57)
15. As Time Goes By (2:56)

Personnel:
Teddy Wilson - solo piano

Recorded on 7 & 8 January, 1983 at Yamaha Nemu-On Studio
Director: Koichi Yamamuro (Yamaha Music Foundation)
Album Director: Tohru Okamura (Polydor)
Mixer: Yoshihiko Kannari
Mastering Engineer: Yutaka Omura (Polydor)
Photo: Masahiro Kobayashi
Design: Jun-Ichı Muranishi
Asistant Mixer: Koji Yoshino
Tape Recorder: Studer A-80, Tape: Ampex 456, Tape Speed: 76cm/sec
Piano: Yamaha Grand
Microphones: AKG 414 EB (near), Neumann U67 (far), PZM (far)

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